When Dinosaurs Ruled the Earth?
Digital Animals, Simulation, and the Return of ‘Real Nature’ in the Jurassic Park Movies
“Visitors will think the dinosaurs look speeded up, like film running too fast,”[1] remarks chief genetic engineer Henry Wu in Michael Crichton’s novel Jurassic Park (1990) when detailing his dissatisfaction with his Frankensteinean creation vis-à-vis Jurassic Park’s founder, John Hammond. Wu’s seemingly unintentional slippage between ontological levels presents an illustrative example of what postmodernism’s poster boy, Jean Baudrillard, referred to as “the generation by models of a real without origin or reality,” […]
